Интервью с создателем сериала Сэмюэлем Баумем:
Michael Idato can't help but feel exposed as he meets the creator of an intriguing new series.
ANY interview with Samuel Baum, the creator of Lie to Me, a psychology drama about an expert in interpreting facial expressions, was always going to be an uneasy exchange of words and movements. So we begin with a simple question - you've seen my face; do I like you?
"Well, your smile is fake," Baum informs me, a statement which gets a laugh out of me and the Fox publicist with us. "Ah, now it's real," he says, correcting himself. "There is a very tiny ocular muscle that, when it engages, produces the wrinkling around the eye you see in a true smile, but not in a fake smile. And it's incredibly difficult to contract voluntarily."
This is not going to be an easy conversation.
Lie to Me is somewhat atypical for an American procedural drama. It stars Tim Roth as DrCal Lightman, a body language expert who works as a consultant to various policing agencies. Some of the touches, such as the stark production design, are familiar hallmarks of the genre (think CSI or Spooks) but the subject matter, which replaces cops and robbers with an eccentric who gets his man by analysing the wink of an eye, is something new.
"I'm very interested in the things we feel we can't talk about, the things we end up either saying nothing about or lying about, and I've been doing a lot of writing about the lies, the cost of lies and the cost of the truth in a variety of areas, in family life and in political life," Baum says.
His research brought him to Paul Ekman, the celebrated professor of psychiatry who advanced the idea that facial expressions are not cultural in origin, but rather a universal, biological code for the six basic emotions - anger, disgust, fear, joy, sadness, and surprise - and their still-debated seventh sibling, contempt. Ekman was involved in the critically acclaimed 2001 BBC TV documentary series The Human Face, and now, though retired, serves as a consultant to Lie To Me.
"On one level the show is about the science of lying, and trying to see, in case work, who is lying and who is telling the truth, but at a deeper level it is about the face we put on for the world and what we really think and feel, who we truly are," says Baum.
"The mysteries that are going to be explored in the show are more psychological than criminal, this is not a show where someone is lying because they robbed the bank and don't want to get caught; this is a show where there will be a complex web of lies and a deeper psychological mystery at its heart, so it's not so much about the search for a criminal, but the search for human truth."
Plot intensive, it poses some specific challenges to Baum and his writing staff, mainly because it is plot-intensive. "We hope to tell a good mystery story or two every week, and of course, they should all centre on the science, which a lot of people seem to know a little about but want to know more about because it's applicable in everyday life."
This brings us to why I, in a weak moment during our interview, chose to rub my eye. "I would have to decide if you are rubbing it because you have an itch, or because you're lying," Baum says. My gesture, he explains, is known as a manipulator. Similar gestures would be pushing up a sleeve, touching my hair or licking my lips.
"If you look at footage of people who are known to be lying, where people have been proven to be lying, such as the famous Clinton footage, you will see a large increase in manipulators and a decrease in illustrators, which are gestures which help tell a story."
For the record, I explain to him, I had an itch, and then pose an obvious question: was he always phenomenally unpopular at dinner parties or has he just become less popular now that he has mastered the art of exposing little white lies?
"I have a long history of being an unwelcome guest," he says, laughing.
This brings us to another pertinent point. To what extent does Baum spend his day identifying people who are lying? "I'm in Hollywood, so it's a safe assumption that the average person is lying to me. But it's difficult - once you know what you're looking for, it's impossible to switch off. Extensive research into the frequency of lying suggests that the average person tells three lies in 10 minutes of conversation."
Baum says he was initially attracted to the science of micro-expressions because of its universality, "the idea that anxiety or anger or sadness would look identical on a Saudi sheik and a suburban housewife in Orange County in California, or that two incredibly different individuals, like Prince Charles and Mike Tyson, give away the same expression".
Adapting that for television was somewhat more challenging.
"If you look at the numbers in terms of the viability of getting a network television show on the air, you would probably never get out of bed and endeavour do to it in the first place."
The show, he says, still closely resembles the one he and co-writer Dustin Thomason put to paper. In addition to the DrHouse-like Cal Lightman, it features the optimistic Dr Gillian Foster (Kelli Williams), former TSA agent Ria Torres (Monica Raymund), who favours instinct over science, and the unfiltered compulsive truth-teller Eli Loker (Brendan Hines).
The tonal signature of the show, Baum says, is seeing the world through Lightman's eyes. "You get to see these incredibly miniscule details of human expression and body movement, writ large and slowed down so they betray a large amount of meaning. It was very important that was well represented in the show, because it is a language of truth which is being spoken at all times by our bodies and our faces and by our voices.
"When you know that language of the truth, you will never be lied to again."
Источник
Сообщение отредактировал vgchiper - Четверг, 21.05.2009, 03:48
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